This will be the first of, hopefully, many posts dedicated to providing you with samples of tunes that have currently captured my interest. Like many others, I go through different phases of listening and so I’ve erected the listening post as a way of sharing and archiving these episodes.
I found myself coming across an interesting album by The Kilimanjaro Darkjazz Ensemble, From the Stairwell (2011). It’s pretty abstract, but still quite atmospheric – it would be a good soundtrack to a David Lynch movie. Here’s the eerie ‘White Eyes’:
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Probably because of this acquisition I found myself listening to the moodier and darker jazz in my collection…
Eric Dolphy’s bass clarinet solo interpretation of ‘God Bless this Child’ from Stiockholm Sessions (1961) is absolutely mesmerising:
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It was so long ago now that I can’t remember from whom I got P.E. Hewitt Jazz Ensemble’s Winter Winds (1972).. Mind you, I only added it to iTunes a few months ago. P.E. Hewitt was a teenager when he did most of his work. This track, ‘Il Love Song’ is a hypnotic dream – the piano solo slowly takes you to a trance-like state where soprano Sonia Valldeparas and alto Nina Scheller appear as ghosts and sweep you away to an unfamiliar place deep in your unconscious. I listen to this song and think of the passages from Mikhail Bulgakov’s book where Margarita is flying above Moscow and the USSR on the way to the Devil’s Ball partly lucid, partly in a disbelief, just like a deep reverie.
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Ron Carter is a genius. Something of which I probably need reminding. And this number, ‘Doom’ from Uptown Conversations (1969), is the perfect reminder – it’s a little waltz tune that highlights Carter’s prowess on the double-bass. Hancock’s playing on this tune essentially sets the mood – he creates the persistent and antagonising anticipation of some sort of foreboding behind Carter’s anxious bass.
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Next week, I think I’m going to feature some Grant Green.